As a child of the 80s and 90s, I was privy to the dynamic evolution of media and social media, as a whole. When it came to seeking out my people on such platforms, however, it was sorely lacking. In researching for today’s post, I found myself immersed in nostalgia and the absence of relatable content.

Years later, I see big moments for Black, Indigenous, and People Of Color (BIPOC) and we’ve come a long way. I feel that as a POC writer, I have a responsibility to provide relatable content that was missing for me when I was looking for ways to understand who I was in this world. That journey continues to this day.

There are the token minorities in books, tv, or film or the headlines that make novelty of who we are. For instance, in a recent article, the headline included the phrase Black Batman. Did they mean that the comic would be about a black man taking on the persona of the Caped Crusader or were they actually now qualifying the superhero himself? “Look! It’s the Black Batman!” doesn’t have that catchy vibe. Why is this even news? Why can’t we be telling stories about complex and flawed characters and not have to point out the person’s ethnicity in order to drive the story forward?

Shouldn’t we be able to tell a captivating story that can reach millions of people without bringing race into the equation?

I, myself, am part of the problem, to a degree. I grew up reading and watching certain characters that I began writing what I knew. Margaret asking God if he’s there, the twins at Sweet Valley High, the spy named Harriet. All girls at different times in their lives and all people that looked nothing like me.

At least in a couple movies, I had Short Round and Richard ‘Data’ Wang (incidentally played by the same actor, Ke Huy Quan). But for the most part, if I were to follow a certain show on a regular basis, the person I connected with the most was the Fresh Prince of Bel-Air? Appsh!

But where were my people at?

For most of my life, I thought I was of Chinese, Filipino, and Spanish heritage. However, thanks to, I’ve learned that my lineage breakdown is as follows: 58% Southern China, 37% Northern Philippines, 5% Southern Philippines with a fluctuation in percentages in Myanmar, whatever that statistic means. Outside of programming I watched while I lived in the Philippines for a decade or so, I didn’t see or read much about people like me to feel a connection.

It warmed my heart to discover that Blue’s Clues & You (a reboot of the popular Blue’s Clues I watched with my nephew and niece when they were younger), returned with a Filipino character. In a recent episode, he introduced his grandmother and they ate a Filipino dessert together. They also showed a traditional sign of respect to one’s elders. This was a perfect example of how people should be able to see the lives of others unfold in the story with the cultural references or ethnic-related issues woven into the narrative in an organic way.

Yes, I was thrilled with Mulan and Crouching Tiger, Hidden Dragon. But what about stories in the more recent here and now, of it all? With great works such as The Joy Luck Club, Crazy Rich Asians, Black Panther, Andi Mack. and the heartwarming Over the Moon, I was starting to feel a better immersion of relatable storytelling.

Prior to that, I was more into stories with talking animals, robots, or other entities, because I could just dive into a story and focus on the characters rather than the literal color of their skin. In upcoming posts, I’m going to talk more about the novels I’ve been working on and how I felt the need to make some serious changes because of this current hot button issue.

When I searched for Over the Moon on Netflix, it was under a category called the Representation Matters Collection. Representation does matter, but we need to work towards an era where the discussion of it won’t matter anymore because it’s a common occurrence.

As I posted to my POC writers’ group, I’m proud of how far we’ve come when it comes to representation in books, tv, and film, but I hope that one day, representation in these and other forms of media is no longer breaking news, but just another facet of intriguing and relatable storytelling.

As always, stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

WriterlyWednesdays: Creative Ink Festival

A Weekend with Fellow Writing Warriors

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This weekend of writerly goodness couldn’t have come at a better time. Things are about to get super hectic in my non-writing life, so this three day kick in the writing pants was just what the doctor ordered.

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A to Z Challenge 2013 – L is for…



As purveyors of words, we need to take notice of the importance of this organization and thank the people behind it. It’s global result? The world is reading.

The. World. Is. Reading.

How awesome is that?

I think this is the best thing I’ve seen since ‘Take a Penny, Leave a Penny.” And now that the little guy is no longer in circulation, let’s keep this one going. We are writers. It is our duty and privilege to support such a worthy cause.


Today’s theme is brought to you by the letter


A to Z Challenge 2013 – J is for…


Book Covers 1

Apparently, some readers do judge a book by its cover.

A couple weeks ago, I read the post “What the Kids Say…” over at PROJECT MAYHEM: The Manic Minds of Middle Grade Writers. A great read because we get first hand opinions out of the mouths of babes, as it were. Since some of my books cater to the younger crowd, it’s important to listen to what they’re interested in. I’m not saying you should write what other people want you to write over the novel that’s been waiting to spill out of your brain and onto the page. From a marketing standpoint, however, it pays to listen. It’s important to research your target audience. If kids follow certain trends or have certain beliefs, pay attention. They’re the ones that will convince their parents to buy your book. In like manner, especially for younger readers, you have to pass the safeguard test. Parents and educators will ensure that their kids read appropriate material, so you have to convince them, as well. Many people are attracted to the covers. Others, read the blurb on the back. For hardcovers, you’ve got the inside flap of a dust jacket. Three chances. Three strikes you’re out.

Interesting observation, however, our youth are more discerning. They’re willing to give the story a chance, some even up to a full chapter. That’s far more generous than an agent or editor. So, it would behoove you to save yourself the heartache and grab them on the first page. Even better, grab them in the blurb.

Just like mom used to tell me before I’d head out of the house, “Don’t forget your jacket.”

Writers, let’s not forget ours.


Today’s theme is brought to you by the letter