WRITERLY WEDNESDAY: When Your Book is Having an Identity Crisis

Did you play the game Guess Who? when you were a kid? There were these pictures of people’s faces and each player had a set of multiple faces on their board. Each player would ask questions to describe the character they have in front of them. All questions needed to be answered with yes or no. Were they brunette? Did they have freckles? Did they have brown eyes? Players would continue to ask these questions until they could make an educated guess if they think they knew the exact picture the other player had. Seemed like a simple premise.

What about when you’re writing a story? Do you know what kind of story you’re writing? Do you know the audience you’re writing it for? What happens when you’re confronted with such questions that challenge the identity of the story you thought you knew?

I mean, come on. It’s your story. It started as an idea in your head and blossomed into what you hope is a beautifully crafted work of art.

What happens when you think you know what you know but discover you’re not sure if what you know is what the reader needs to know, you know? Ain’t so simple now, eh?

This is the current challenge I’m facing with the revised draft of a manuscript (formerly known as the MG Fantasy) that I so brazenly believed I could whip into shape in a couple of weeks to shove off for querying.

Well, shove off is right. Right off a cliff. I’m certainly grateful I asked the questions and had those questions give me pause. It wouldn’t do anyone any good if I were to toss this manuscript into the sea, as is, and hope a literary agent somewhere in the big blue yonder would bite.

I’ve certainly made progress in this work in progress, but it begs the question, how do I proceed with what I’ve learned? Well, there are many avenues to explore, as I touched upon in my Camp NaNo Week Two Roundup.

I’ve since connected with MG/YA author, Michelle Schusterman, who had a similar issue with her manuscript when she ran it by a critique partner. What she believed to be an MG book was actually YA and thus, the author had to rewrite the entire story with this in mind.

So what is the difference between MG and YA?

In her presentation on “The Magic of Middle Grade” on reedsy, Schusterman was told this distinction between the two categories: “it isn’t about the physical age of your protagonist. It’s about their emotional age. A Middle Grade protagonist is discovering how they fit into the world. A Young Adult protagonist is discovering how they can change and affect the world.” 

You can watch the reedsy video here and check out Michelle’s YouTube channel here to learn more about the writing life of an author from draft to publication.

When it came to my WIP, the various feedback received included:

  • MG stories shouldn’t have adult POVs because children don’t want to read what the adults are doing/thinking. They want the kids to be the focus of the story.
  • You should only have X amount of POV shifts, and only written in a particular sequence.
  • Make sure you have recent comps when querying.

Then, I also heard the following:

  • Why wouldn’t you want adult POVs in the story? MG kids are the perfect age where they eavesdrop on what the adults are talking about, especially if they try to keep the kids out of the conversation.
  • The POV character should have a character arc and stakes that move the story forward. You can have over two POVCs, but they need to deserve their chapter. Don’t just give them one because you like the character.
  • Recent comps are nice when querying, even if you do a combo with a show or film. However, they’re not a deal breaker. A literary agent is interested in a strong query and synopsis that appeals to them.

I can take any, all, or none of the feedback shared. The goal would be to take these elements and analyze how they would best serve my story. Right now, I’m leaning towards MG Urban Fantasy because I feel that the MC’s age works in how I want to tell the story. I have considered experimenting with scenes and aging the MC. This could serve as a workaround if I were to change the POV to a single character (his) and not include some adult POVs that were necessary in my original draft because they involved those adults in scenes needed to move the plot forward.

What I have, at the moment, is a draft that has a mix of POV shifts. Some, I agree, can merge into other existing POV chapters and admittedly, I thought it would interest the reader to have scenes from those characters’ perspectives. However, if they’re only going to have one or two chapters in an entire book, then it’s unnecessary for them to take the reins of a chapter. Other than that, there’s no particular sequence of who’s POV comes next. Each POV follows the organic progression of the story.

While it’s a great compliment to be told I’m a visual writer, it also worked against me, in this case, because I wrote this cinematically. In a movie, you can easily switch to a scene that doesn’t have the MC (who is a child) and the story still makes sense. However, in literature, there are a lot more conventions to keep track of to ensure I immerse the reader in a solid story.

All this is before I’ve even begun working in the possible Asian Folklore into the narrative. I just might table that for another story idea and focus on polishing this draft even further. Maybe when it’s gone through more beta reads, other writers will tell me if that other layer is even necessary for this story.

For now the revising continues. No one ever said writing was easy, but so far, it definitely hasn’t been boring either. We write on!

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

WRITERLY WEDNESDAY: FIVE BY FIVE

It’s the fifth day of the fifth month. How’s it going in your corner of the interwebs? When life hands you lemons, make chocolate chip cookies, because why not? April ended and May began with some moderate setbacks. But I’m hoping to get back on track this week.

I’ve got a whole new list of submissions to work out, some critique partner work coming up, as well as a beta read, and I plan on continuing to revise my MG Fantasy manuscript. Then I’ll do some genre reading on the side, so, you know, I’ll have a steady flow of words coming at me, at all times.

I haven’t considered doing simultaneous submissions, as yet. I wonder if I should submit it, as is, or see if I can tweak it, in case something came to me after the other submission? Have you ever done that before? Which story outcome would you prefer to use, in such a case? Or would you submit identical pieces to multiple publications and see who bites?

Other submissions seem like they’re not my jam, but I’ve noted the theme and filed them away in a story prompt folder. Who knows, incorporating multiple ideas might work for a different submission and you’ll have a masterpiece on your hands. I stand by the practice of never deleting previous drafts. You never know if you can repurpose something discarded from an earlier draft into a greater story.

Besides all this, because of elevated stress levels affecting my health, I’ve taken more active measures at self-care, this month, even if it means, I step away from the keyboard to recharge, refuel, and reassess the situation to see how best to proceed before I burn out. I’m walking more, thanks to the nicer weather. Masks (yes, double layer), and socially distant. I will continue this once I get vaccinated, as well. We all have to do our part. Reading for leisure is also high on my list of relaxation methods, as well as streaming shows I’ve fallen behind on, or discovering new ones that will thrill, inspire, and awe.

Life’s been overwhelming, both health and work wise, but I’m chugging along, rolling with the punches, adjusting where necessary, and everything is five by five.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

FRIDAY FX: “Hey, What’s the Big Idea!?”

TGIF, fellow writers!

This generation has got it good. We’re living in an amazing era of technological advancement and innovation. <cue curmudgeonly mentor voice> Why, back in my day, we didn’t have this, this Google, you speak of. Ever hear of a library catalogue? Familiar with the Dewey Decimal System?

Between that and waxing poetic on walking 15 miles to school through three foot snow drifts uphill–BOTH WAYS–in the dead of an extended Indian Summer, you get the idea, right? Information, these days, is truly at our fingertips.

So when we’re not typing various questionable entries into our trusty search engine, or bombarding Siri or Alexa with weather updates or what to make for dinner, what other methods do you resort to for information gathering?

BG (Before Google)

We didn’t always have the world at our fingertips. We literally had to do our own legwork. Libraries were, and still are, our brick and mortar haven for knowledge. Speaking of legwork, as long as we’re social distancing, there are benefits of going to the library for research or leisurely reading. Writing challenges and other literary enthusiasts will tell you to get butt in chair and write. However, we need to take breaks to stretch because the sedentary lifestyle isn’t doing us any favors.

That’s not to say that libraries are there just for research purposes. They have activities, events, and rooms to rent for private use, group chats (book clubs, writing clubs, etc.) I used to tutor students at the library, conducted business meetings, and even had documentary screenings with college organizations. There’s way more to a library than its book aisles. It’s like the world is at your fingertips–AND you’re amongst likeminded creatives. Libraries are among my most favorite places to visit.

Eavesdropping/Peoplewatching

I’ve experienced the most intriguing, and sometimes intensely WTF moments, by being adjacent to, or in the vicinity of the strange and otherworldly conversations that happen around me. Thanks for the (sometimes mind-boggling) entertainment, humanity.

Start off small. Coffeehouses, on the bus, at the mall, during a walk in the park. You name it, there are seeds of a story waiting to grow once the idea reaches the earshot of a writer. You’re surrounded by diverse groups of people from every age group, or a combination thereof. Many of my story ideas have begun this way. However, set the bar low. It might be strange, at times, but never boring. There’s plenty to hear, but some situations aren’t worth repeating. But, boy, when you do find that nugget, it’s hard not to run with it.

And who knows? On the way to the library, that walk/commute/drive might provide you with the much needed insight you’d been looking for. Or, you might find inspiration in the change of scenery, versus staring at a screen most of the day.

Writing Groups

I may look to Google for an initial query, but oftentimes, when I know my topic could be tossed in a group post in a writing group, I look forward to that method of brainstorming. Give or take a few hours, to account for international time zone differences, there’s active real-time discussion that you couldn’t get from search engines or online wikis that are edited, at will. These discussions are shared amongst people with experience in that subject and who can add nuances to your topic based on their particular background and geographic location. Of late, my writing groups are online, but when it’s safe to do so again, in-person writing groups are fun and motivating, especially when you’re in exciting conversations or revved up to do writing sprints. Online or in-person, find your tribe.

Social Media

Whether you go to Pinterest, Twitter, Instagram. Ideas are everywhere. There’s tumblr, Reddit, random memes. I use these as story prompts all the time, and they’re fun. Heck, you’ve seen a cornucopia of memes that I’ve included in my posts since I returned to my blog. They. Are. Everywhere. Ideas a-plenty. If not for a story prompt, use the visuals as inspiration for settings or actor pics as your character inspo.

Of course, we’ve got the ol’ standbys of books, television, and film. There are great (and not so great) stories out in the universe. As the reader/viewer, that perception is, of course, subjective. As a writer, however, these are extremely effective tools, because you can see final products out there in the world. You have the ability, along with the rest of the world, to determine what worked and what didn’t.

Just because an idea has been done before, that a story’s been done before, that shouldn’t deter you. Your idea, your story hasn’t been told yet because that’s uniquely you. You add the flavor and nuances from your own life experiences and knowledge that another writer can’t offer. You bring something new to the table. Remember, the majority of plot lines found in books, television, and film are also found in the bible. Brother against brother, massive calamity, plague, public persecution and discrimination. It’s all been brought up before. How will you take these ideas, some old, some outlandish, and create a fantastic read to share with the world?

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

WRITERLY WEDNESDAY: Camp NaNo Week Three Roundup

Welcome… and the beat goes on.

A flood of ideas can easily take you over when you’re super excited about your WIP. I spent a lot of time researching story technique, and consulted with fellow writers, agents, and other industry experts. It was important that I could see where things worked and areas that needed improvement. What I want to do can be done, but not in the amount of time I had to do it. Even after I complete the revisions, there is still the need for critique partners, beta readers, then further revisions before I could even query. Seventeen days just wouldn’t cut it and still produce a fully thought out story ready for publication.

After coming to terms with the magnitude of what I wanted to do in the short time frame I had to do it, I realized it was still a wonderful opportunity for me to learn and grow as a writer. I needed to respect all the new information I learned and the perspectives shared for me to reflect upon, that it wouldn’t be right just to cram everything into a couple of weeks and send it off. It almost feels like a “Meh. Good enough.” approach and that feels icky.

What it did help me with is provide a proper direction to work towards. That excites me. I went from thinking that I’d been the furtherest along on this writing project, to thinking I’d fallen off course, to being right back where I need to be to reach my destination. With all those ideas fresh in my mind. I’m going to return to it next month after I’ve worked on some shorter form submissions.

Here’s a quick look at what I’ve been up to on all things writerly this week during Camp NaNo:

  • Joined more writing groups with members who specialize in the field. We’re talking everything from medical procedures, fire and rescue, police interrogations, and all manner of death. They are truly aimed at helping writers stay accurate in their scenes. Hypochondriacs and potential criminals need not apply.
  • Connected with fellow writers to set up a time to beta-read/critique each other’s WIPs. Over the next couple months, I’m going to be reading my fellow writer’s amazing stories we’re all preparing to share with the world. It’s exciting.
  • Researched for upcoming short story submissions. It’s so tempting to go down the rabbit hole, but thankfully, I also asked questions in my writing groups to keep the queries focused.
  • Kept tabs on questions I threw out into the interwebs about my MG manuscript, so I know what steps to take to shine it up nice.
  • Had a great FaceTime chat with The Sestra. Caught up on what’s going on with her, spent some excited time discussing fandom, especially the highs and lows of both WandaVision and The Falcon and The Winter Soldier. We then brainstormed on the manuscript because she’s the one who’s the most familiar with it since its inception.

I’m already in the initial stages of drafting each short story, so I’ll be spending the final week of Camp NaNo drafting and polishing them for submission. Overall, it’s been an exciting and intensely productive April. There were pleasant surprises and new connections forged along the way. The writing continues and I can’t wait to see what stories I can conjure up by then.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

FANGIRL FRIDAY: For Your MCU Viewing Pleasure

I’d been so busy with everything under the sun the last couple of months that I didn’t give the time and love that WandaVision so richly deserved. It’s okay, though, because it’s still within the spoiler zone, so a more in-depth discussion of how that story unfolded will come in a future Fangirl Friday post.

For now, without going too much into it, I want to share how excited I was to see Anthony Mackie and Sebastian Stan reprise their respective roles in The Falcon and the Winter Soldier. The long awaited first episode in this 6-episode run is ready to stream at the time of this writing on Disney+.

One thing I can freely discuss and praise is the diverse cast of characters in this premiere episode. I’m not just talking about ethnicity, but also the character traits, quirks, and flaws that each person brings to the story.

For those already anticipating the buddy-cop dynamic between Sam and Bucky, all I can say is that if the trailer was any indicator, we’re in for a real treat. Just the recall to their shared scenes in the movies were some much needed tension release from the heavier storylines.

I wish I could into further detail but I’d rather people watched it first so I don’t give anything away. As for the streaming platform, say what you will about the recent controversies with Disney, they’ve been putting out a lot of outstanding programming, of late, and I can only hope that it’ll keep getting better from here on out.

Be sure to catch The Falcon and the Winter Soldier each Friday, streaming today, March 19 with the final episode streaming on April 23. Before the year’s over (is that enough time to be out of the spoiler zone? lol), more discussions and story element breakdown to follow.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.