FANGIRL FRIDAY: A Little Not So Light Reading

I’ve amassed plenty of writing resources, be it digital or physical. In preparation for Camp NaNoWriMo, I’ve curated an initial selection, keeping in mind some aspects I want to focus on in my writing project.

I’ve been a long time fan of K.M. Weiland. She’s an amazing author who’s active on social media and her website, Helping Writers Become Authors, is a treasure trove of information from story structure to character arcs. I recommend any of her books. I bought Outlining Your Novel and Outlining Your Novel Workbook years ago and last year purchased the software version of the workbook, as well.

I’ve been reading up on Deep Point of View. It’s a technique I’d already been doing, was eager to learn more about, but had no idea there was a name for it, as what I’d been doing is a sub-category of the more widely known Third Person Point of View. I read some articles by other writers on the subject, but still had questions. I decided to google “K.M. Weiland Deep Point of View” and wasn’t surprised that she had written on the topic. Reading through her explanations, examples, as well as the exchanges she has with writers in the comments section, was like I’d been sitting in a writing masterclass. Such a great writer and teacher.

Word choice for maximum impact can be a challenge, at times, especially if you find that you’re starting to sound repetitive as the story rolls on. Angela Ackerman and Becca Puglisi wrote the immensely popular The Emotion Thesaurus: A Writer’s Guide to Character Expression. I’m looking forward to adding more of their books to my collection soon. In the meantime, their website, Writers Helping Writers, is another writing resource gold mine.

Sometimes you need answers in real time. If a Google search turns up empty, I’ve discovered a game changer in research and it’s currently the primary reason I’m even on Facebook anymore. I can’t believe I never knew about these groups before, but once I started following along in a few writing groups I’m in, some fellow writers suggested the following groups, all of which I’m now a member of and I’m thoroughly fascinated by each post I read, and the comment threads that follow. I even had some of my own questions answered already in the short time I’ve been a member in these groups, and it’s remarkable and encouraging to know that my people are out there and they get me!

The members are comprised of writers and professionals in their respective fields that volunteer their time to help ensure scenes and situations are accurately depicted in our writing. You have to apply for membership and answer some questions prior to being approved, in order for them to weed out spammers and such. Here are just a few of the groups and the descriptions as written on their respective pages:

Trauma Fiction – Trauma Fiction is your resource for finding medical, trauma and illness information for your characters, plot and scenarios. Hosted by Emergency Medical Technician veteran, author Elizabeth Otto.

Legal Fiction – Legal Fiction is your resource for finding information about attorneys, the law, and the courtroom for your characters, plot, and scenarios. Hosted by attorney/author/editor at Twitching Pen Editing Jennifer Severino.

Cops and Writers – This group is dedicated to answering authors and screenwriters police related questions. Police procedure, equipment, police culture, and investigations are all fair game.

Authors Fire/Rescue – The Group is set up to help those write realistic fire/rescue and arson scenes.

I know there are so many more writing groups out there, especially on different platforms such as tumblr, reddit, and Discord, but with the high rate of activity I’m already getting with these ones, it’s better if I ease into these new communities.

I’ve gained insight into improving my writing, that’s always an ongoing process. There are such impassioned discussions, truly helpful approaches to tackling sensitive topics, and a dynamic group of talented people with common interests. You know how much I love infotainment.

What resources do you turn to when writing? Have you had a chance to immerse yourself in these various group threads? If you haven’t heard of these resources yet, do check them out and join in the conversation.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

WRITERLY WEDNESDAY: Guess I’m a Prepper Now

No. Not that kind.

We’re just a week away from 2021’s first Camp NaNoWriMo and there’s still plenty to prepare for–even for those who are more pantser than plotter.

Here’s quick reminder of the difference between Camps and the main NaNo in November. The original beast of a challenge involves writing 50,000 words in a writing project. The Camps are more flexible and allow you to do anything from prepping, drafting, editing, rewriting previous drafts to writing blog posts, tracking time or page counts versus words, or doing other writerly projects for the month. It’s a more forgiving endeavour and a great introduction for someone who’s been considering jumping in to a NaNo challenge. There are plenty of people who still follow the 50,000 word count goal, while others can increase or decrease the goal to suit their individual needs.

Join me, as I gather my provisions in order to successfully make it through April’s writerly challenge.

We begin with the hardware. My primary tool of choice is my trusty (read: please don’t die on me Early-2015 Macbook Air 11″) laptop. I also have my Freewrite Traveler, along with notebooks, and writing implements. On standby, I have sketchbooks, coloured pencils (regular and watercolor), as well as alcohol based markers. These will come in handy for mind mapping, actually map creation, as well as a creative outlet when I need to take a break from the work itself. I also have my dry erase markers and my mirrored closet doors on which to brainstorm extensively.

Now, let’s add the software. Apps of choice: I’m still progressing with Plottr. Once I have a handle on it, I’ll do a full review, as with the other apps I try out. I’ve also got Scrivener, my old pal Google (for, you know, research), and I’m strongly considering looking into ProWritingAid (they have a Camp NaNo Offer that seems to be the best deal available for a lifetime license). Although not on offer for this NaNo, World Anvil has also piqued my interest, but I’m also considering the pros and cons of other map making software, as discussed on the World Anvil blog.

Other tools that might help in the writing process include music. Spotify, Apple Music, YouTube (for both audio and visual enjoyment) are just a few options to keep the creative juices flowing.

How about some extras? Nice to have, not all are entirely necessary, yet fully appreciated as we enter the “writing bunker” for the next 30 days. First up, we need to have sustenance. If we’re in the middle of something and can’t be bothered to get up from our desk (or wherever you plan on writing) for fear of coming out of writing mode, we need rations to sustain ourselves. Water, of course, is paramount. Other bevvies are great, too. For snacks, I’ve got Doritos, (Nacho and Zesty Cheese varieties), dill pickle chips (can’t go wrong with Lays, but I’ve been enjoying the Compliments brand, as well, from Sobeys. More chips for cheap), Milk Duds, Nerds, Gobstoppers–yes, I still eat these, what of it?–and whatever else I can socially distantly acquire before April. Bonus: take a mini-break after Easter and buy up all the Easter candy that’s gone on sale.

Now, some options on what to work on. Since Camp NaNo is more relaxed versus its big sister in November, the flexibility is both freeing and suffocating. I’ve been pondering which of my WIPs I might want to work on and in doing so stumbled upon a couple new story ideas.

Another goal that could be a ‘two birds, one stone’ perk is that I’ve been overlooking so many submission call outs and contests that have themes or genres that interest me. I’ve spent the last week or so, combing through these announcements to see what stands out to me. Anything that has an immediate deadline, I can keep as a story prompt for future writing.

For the rest of the week, I’ll review the top WIPs I want to tackle first. After all, there’s still another Camp NaNo in July. Oh, and the couple months in between.

I’m hoping that 2021’s global writing challenges are productive. I’m still in the mid-range of plantsing (the flexible hybrid of plotting and pantsing) so I know that I’m in for an adventure, regardless of which path I take.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

FANGIRL FRIDAY: Rewind, Remix, Recycle, Reuse, Reduce?

I’ve been feeding my insomniac self by watching midnight movies and shows, rather than having a midnight snack. Despite ratings, despite warnings, depending on who’s talking, I watched Terminator: Dark Fate and Bad Boys For Life on back to back evenings. Then, I recently caught myself up on the final season of Lethal Weapon and saw a commercial for a new Punky Brewster series. This semi-FLASHBACK FANGIRL FRIDAY post maybe hit me with the nostalgia bug finding some connection to characters I knew and loved, but I started to wonder if that’s all there was anymore.

In a recent article about a possible Criminal Minds revival, it got me excited. I’d recently binged the final season and already miss the characters. The article explained that a revival involved original cast and crew members, though no actors had yet to be attached to the project at the time of announcement, whereas a reboot could have completely different characters or a redo of a previous iteration with new actors. Revivals, reboots, reunion specials, series based on the big screen, movies inspired by the small screen. Different versions. Different perspectives. Same enjoyment?

What keeps us coming back to these types of stories? Is it the formula? Is it the familiarity? Is the market so saturated that we go with what’s comfortable? As a writer, this is something I think about a lot and it scares me as much as it motivates me to want to share my stories with the world.

As for the fangirl in me, I do enjoy these types of shows and movies–when they work. There’s a fine line between beating a dead horse and realizing the horse ain’t dead and you need to let it live its best life. When it came to Terminator: Dark Fate I think I wanted more. I loved Terminator 2: Judgment Day and remembered watching it in the theatre (*sniff* remember movie theatres?) and leaving so empowered. Linda Hamilton‘s portrayal of Sarah Connor is iconic. This (final?) instalment that reunited her with Arnold Schwarzenegger should’ve been awesome, but it ended up being too campy and dare I say, felt like the production was banking on their names to lure us in. I mean, it worked. I was lured, but I didn’t end up enjoying it as much as I wanted to.

Bad Boys For Life, on the other hand, answered a question I’m sure every fan had asked. I wonder what Mike and Marcus are up to these days? Yes there were cheesy moments, but the chemistry between Will Smith and Martin Lawrence is undeniable that it’s like they fell right back in step with each other–or maybe they’ve been fighting crime on the streets of Miami this whole time. Who knows? Maybe it was the storyline in Dark Fate or what I perceived as forced acting between Hamilton and Schwarzenegger, but I didn’t feel as emotionally invested in their lives as I did our Boys from Miami.

Maybe that’s why I don’t want to always hedge my bets on these types of offerings. Expectations are too high and sometimes we’re left with disappointment. It’s also perhaps a good reason why I’m such a fan of shows like The Mandalorian and WandaVision. They’re expanding on storyverses that I’ve grown to love and are giving us new characters and storylines that can satisfy our late night binge watching hunger. You can be certain that I’m all in for The Falcon and the Winter Soldier when it comes out next month.

How about you? Are you into revivals, reboots, redos, and/or continuations, or are you a one and done type of viewer? Whatever it is, there’s definitely something for everyone. Enjoy your midnight visual snacking.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

WRITERLY WEDNESDAY: Running Circles Around the Competition

a.k.a. Prompt Submission Update #2

Two weeks in and I’m neck deep in research for the impact x SKYDANCE prompts. What last week yielded in idea plausibility, this week I came up in spades with story structure. I’ve been getting myself famiilar with the Plottr software program and there are many templates to choose from to help plot a story, novel, or screenplay. Heck, people have even found non-writing creative ways to use that program, such as meal planning and scheduling. More on the Plottr program itself in a future post.

Every writer has heard of the Hero’s Journey, at some point. Since a lot of my WIPs are more adventure/quest based, this seems fitting. Joseph Campbell introduced the world to the Hero’s Journey, or the monomyth, and it’s the foundation from which millions of stories have been built on ever since. I’ve learned a lot from this method and know that it’s something that will always be in my writing toolkit.

Something that appealed to me recently, however, is Dan Harmon‘s method of storytelling. Also known as Plot Embryo, the Story Circle takes the complexities of the Hero’s Journey and strips it back to its bare essentials. If the Hero’s Journey is the album release, the Story Circle is the acoustic version.

When I went on a deep dive of articles and videos on story structure, I found myself immersed in dozens of videos using the Story Circle to break down movies such as Star Wars: Episode IV – A New Hope and The Matrix. If you want to test the durability of a story’s overall structure, these two movies were made 22 years apart and the methodology is sound. It’s easy to google articles, images, and videos on the subject. YouTube has these great examples of Story Circle film analysis that you can watch here and here. Considering Joseph Campbell was alive over a century ago, this really proves the adage of “If it ain’t broke…” because it’s clear the stages that progress throughout a story, if done well, can stand the test of time.

Since this submission prompt was for episodic television, it was a masterclass to see the analysis of the Story Circle as it pertained to each episode’s plot points in Harmon’s cult-favorite Community. Harmon broke down the Season 2 D&D episode on his tumblr feed that you can read here. Of course, for those who prefer watching to reading, catch these Story Circle Community analysis vids here and here. I like how they go so far as to break down each character’s own Story Circle within the episode. When I’m further down the road in my story, I’m going to do a detailed analysis of how the Story Circle applied to each stage of my protagonist’s story arc.

What story structure do you swear by? Are you a structure loyalist and adapt your story ideas accordingly or do you like to switch things up? I know the rabbit hole is never ending, but, I’m curious. Are you a fan of analysis vids or is it just me? As a visual learner I absorbed more information on story structure by watching these videos than combing through thousands of words on the subject matter.

Regardless of which method you choose, and there are plenty more out there to choose from, you can see the similar paths on the protagonist’s journey. These are different perspectives of a timeless and effective method of storytelling.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.

FANGIRL FRIDAY: We Interrupt This Research Session…

a.k.a. Getting Nostalgic Down a Digital Rabbit Hole

I do solemnly and lovingly proclaim this to be the first of potentially many FLASHBACK FANGIRL FRIDAY posts. I had something previously planned for today’s post, but there was a slight detour while doing research for my impact x SKYDANCE submissions. Depending on the day, I might have something playing in the background while I work. Earlier this week, it was essentially a slew of John Mulaney videos on YouTube, because, why not? One particular vid was him chatting it up with Desus & Mero. While it was entertaining, in itself, there was a moment when John brought up the 1990s classic TV show, (in my humble opinion), Ghostwriter. They talked about it for a spell and even sang a bit of the theme song. It’s funny how a simple phrase can activate the recall sensors and I paused to reminisce about my personal enjoyment of the program.

A while later, I was reading up on story structure for a television series when it just so happened that the post’s author mentioned their time working on a show called, you guessed it, Ghostwriter. Was this the universe telling me something? I can say for certain that my posterior was telling me to take a break, so I got up, stretched for a bit, then decided to feed my curiosity. I was tickled to find that you can watch the entire original series run on the YouTube channel IBeGhostwriter. Yeah, I subscribed. Apparently there’s a reboot, but I haven’t seen it yet. This post is all about old school shows I enjoyed. Let the fond memories continue.

Of course, the White Rabbit was calling me, so down, down the rabbit hole I went. More nostalgic feels washed over me. It’s like the one recall opened the floodgates and I was trying to name as many shows as I could from my childhood. The next show that came to mind was The Edison Twins. I happened on a random episode on YouTube that featured a very young Corey Haim, later of Lucas and Lost Boys fame, among others. I enjoyed the grainy quality of the episode and I’m chuffed that the episodes of The Edison Twins can also be streamed on Amazon Prime Video.

Determined as I was, there was this one show title that I was stumped on. I tried google searches for “kids mystery shows” or “kids detective shows from the 80s-90s”, to no avail. A handful of hours, several lists, and dozens of cross-checks on YouTube for clips and/or theme music later (that was a fun trip down memory lane!), I found it. The moment I saw the title, I smiled, then it was confirmed when I watched the sometimes creepy opening credits. Friends, a show I loved to watch back in the day was called Read All About It!, that ran from 1979-1982. When I started watching it in the late 80s, it had already been in syndication for a few years. I’m so happy that the complete series is also wonderfully curated for your infotainment on YouTube. Yep. Subscribed to that, too.

Among the many shows that took me back decades, these three stood out. Campy? Yes. Dated? Sure. All around good fun? Definitely. All three had to do with kids trying to solve problems through investigation, experimentation, a lot of times using words, puzzles and critical thinking. Many years later, long after I’d watched the last of the episodes, I now realize these shows were the early foundations of my wanting to become a writer.

By the night’s end, I welcomed this sidetrack, of sorts. The premise behind these shows and the effect they had on me as a child has certainly informed the way I choose to tell stories in my fiction today. Perhaps these choices would emerge from the deep recesses of my subconscious, or maybe the pattern of storytelling that appealed to me over the years has been ingrained in me as I write. Either way, I’m grateful for shows like these. They were important for curious young minds and serve as a reminder that I have the opportunity to have the same positive impact on the next and all generations with the stories I share with the world.

Now, if you’ll excuse me, I have some binge watching to do this weekend.

Nostalgia. Such a beautiful thing.

Stay creative, stay weird, be kind to yourself and others.

Until next time,

T out.